M-Audio Omni I/O User Manual Page 25

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I/O Setup Primer 21
Channel Mapping and Surround Mixer
(Pro Tools HD and Pro Tools LE with Complete
Production Toolkit Only)
When mapping multichannel paths, the left
channel (L) is mapped first to the clicked Grid
box, and remaining channels fill immediately to
the right according to the default path order. Be-
cause some multichannel mixing formats use
unique track layouts, Pro Tools lets you set the
default format in the I/O Setup.
Remapping Channels
You can move the individual assignments to dif-
ferent channels, to reorder the path’s definition
(for example, changing a multichannel map to
L-R-C-LF-LS-RS).
To remap channels in a path:
Drag the channel to the new location in the
Grid. Other channel assignments move (shuffle)
to accommodate dragged channels.
Channel Shuffling
Moving a signal from right to left results in a
shuffle of other signals after the new destination
channel. Moving a signal from left to right shuf-
fles any and all signals after the new destination
channel and leaves the previous channel empty.
Sub-Paths Follow Main Paths
When a main path is remapped, its sub-paths (if
any) will remap automatically to maintain con-
sistent routing. For example, remapping a stereo
path to different hardware outputs results in any
of its sub-paths moving with it.
Valid Paths and Requirements
While configuring the I/O Setup, certain rules
apply for path definition and channel mapping.
All paths must be valid before the I/O Setup con-
figuration can be applied.
Though it is possible to set up invalid mappings
in the Channel Grid, Pro Tools will not accept
an I/O Setup configuration unless all paths meet
the path definition and channel mapping re-
quirements, as follows:
Minimum Path Definitions All paths must have a
name, be of a specific format, and have a valid
I/O mapping.
Valid Paths Channel mapping follows certain
rules regarding overlapping paths.
There can be no partial overlaps between
any two output paths.
A newly-created output path must either be
completely independent of other mapped
outputs (not mapped to any other available
I/O interface/channels), or it must be an
overlapping path or sub-path completely
contained within a larger path (for exam-
ple, an LCR sub-path within a larger 5.1
path).
Customized output paths for a 5.1 mix
Changing a path’s format erases any cur-
rent channel mapping.
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